My Perspective.
by Andrew Middleton.
The 1998 Port Fairy Festival was a marvellous
event. The quality, variety and quantity of music was second to none. Nor
was the music or entertainment contained to the official sites, for there
was always something happening throughout the seaside township. As for
the weather which I had been informed might present anything from a constant
gale off the southern ocean to snow, it shined sunny and warm for the four
days.
The site, itself, consisted predominantly of
an army of massive white tents, buildings, portable toilets and bathrooms,
and a circus tent. The white tents made up for their lack of aesthetic
appeal, by the sheer necessity for housing audiences of over a thousand
people. Five of these beasts were for the sole purpose of performances.
The others served a multitude of needs from eateries, merchandise stores,
markets, schools for an esoteric array of lessons, or just a place to hide
out for a while.
Before the event I spoke to people who had attended
previous festivals and was often told that the festival was orientated
too much to the "Celtic" style of folk. If this has been the case in the
past, then the festival of 1998 was the start of new things, for the source
of music was world wide. Well, almost, the band of seals from the Antarctic
missed there iceberg and couldn't make it. But everyone else was present,
including many excellent local and indigenous Australian performers.
It was my first Port Fairy festival and the
thing which grabbed my attention was the number of exceptional acts. I
often found myself heading to watch a particular band or performer, only
to be waylaid by the sound of an amazing guitar rift or the noise of an
appreciative crowd coming from one of the other tents.
After a performance and before another got under
way, it is a good idea to replenish the fuel tanks at the Guinness and
Wine tents. Here I would often catch up with wondering mates, or just about
anyone. For everyone, including the performers, always seemed to be drinking
and making merry within the allotted quadrangle where alcohol was allowed
to be consumed. But sure enough, when I ventured back to dine on the smorgasbord
of music, everyone had beaten me there and all the tents were full, again.
The fun of the festival extends beyond the main
site and floods the town. Bands play on the streets, or in pubs throughout
the days and nights; buskers of quality are everywhere; there is a continuous
market and on the Sunday there was a parade. The people I meet were all
friendly and having a great time, though I can't say what any of the locals
thought of the event, for everyone I met was an outsider - 'just here for
the festival'. Well, not exactly true, I did have course to visit the St.
Johns bus a couple of times and they were more than helpful and in fine
spirit.
For me, one of the only disappointments was
the lack of opportunity for dancing. Or at least the difficulty with which
one could find room to move within the tents, particularly early in the
event. It seems most people traditionally bring seats and spend much of
the time lounging in them. Hence, announcers kept calling out for people
to do the 'traditional Port Fairy shuffle'. Which is when everyone moves
their seats forward to fill in gaps made by departed people, in order to
make way for newcomers.
The mass of seating and a courteousness to those
sitting, because of their restricted height, makes dancing a difficult
activity and standing stationary, or sitting paralysed, is not my way of
enjoying an Irish jig.
As the festival progressed, more people did
get up and shake their booty. But the restriction of movement, particularly
at the more popular performers, is certainly of some annoyance if you believe
live music is for interaction and a chance to express yourself, as
well as to observe.
Otherwise, I can only recommend that you get
along to one of the future Port Fairy Folk Festivals. Which, in order to
do so, you will need to contact the organizes now and have your name placed
on their mailing list. The festival is always booked out and it is very
much a matter of first being the only dressed with a ticket. Not that a
ticket is a necessity for hearing good music over the weekend. Like I said,
there is music seeping out of every nook and cranny. But for the freedom
to pick and choose your music, a ticket is a bonus and a pass to listening
to an immense variety of music from around the world. Certainly the word
"folk" will come to mean a lot more to you than those boring, monotone
records your pa once played.