| 2 |
Baker's Wife |
Circle of 7-9 couples. Best with 8. |
| A1 |
Long-arm Spin |
Couple with backs to and
nearest the band are couple 1, then number anti-clockwise. Couples 1 and 5 Long-arm spin. |
| A2 | Strip-the-Willow and Spin | Lady 1 and man 1 strip-the-willow anti-clockwise, left arm to the outer circle, right arm to couple 5 (the pins). |
| B1 | Right Arm Turn | Both couples turn their partners by the right arm. |
| B2 |
New Couples Long-arm Spin |
The new couples are the
next anti-clockwise, 2 and 6, and then 3 and 7 etc. New couples start spinning for 8 bars. The old couples stop spinning after 4 bars, and the dance continues with the strip-the-willow. This is repeated for a complete rotation and then the couples take reverse roles with the 5's stripping the circle while the 1's are the pins. |
| - | 9/8 Jigs | Don't try calling this dance after the first time though. Walk through once and recap with one talk though. |
| 2 |
Barley Reel |
Longways sets of 4 couples. |
| A1 |
Advance and Retire Men Arch, Ladies Through |
Lines of 4 join hands
and advance and retire. Men form arches, ladies pass through, all turn to face in on the opposite side. |
| A2 |
Advance and Retire Ladies Arch, Men Through |
Lines of 4 join hands
and advance and retire. Ladies form arches, men pass through, all turn to face in, back on the original sides. |
| B1 | Strip the Willow | Top couple strip-the-willow down the set. 12 bars |
| B2 |
Form Arch Cast Off |
Continue
strip-the-willow. Top couple form an arch at the bottom of the set. The new top couple casts off. |
| C |
Lead Through Short Spin |
New top couple leads
though the arch and back to the top. Everyone short spin. |
| - | 40 bar Reels AABBC or AABBB | Enjoyable simple dance. |
| 1 |
Barn Dance |
Couples in a circle or horseshoe around the room |
|
1
2 |
Walk forward Point Walk forward |
Couples in a promenade
hold, man slightly behind lady, right hand in right, left in left in a vee
formation at shoulder height. Man starts with left foot, lady with right,
take 3 steps forward. On 4th beat of bar, raise inside feet and point toes. Starting with inside, pointed feet take 3 more steps forward. Raise and point outside feet on 4th beat. |
|
3
4 |
Walk forward Point Walk forward |
Repeat the above. |
|
5
8 |
Waltz | Ballroom hold, dance circular waltz turns, fitting this to the 4/4 timing of the tunes. |
| - | 4/4 tunes at 34 bars/minute | Standard dance known by all in country areas. |
| 1 |
Big Circle Dance |
Big circle, all facing inwards, alternate man, lady around the room. |
| A1 |
All Advance and Retire Again |
Whole circle hands
joined takes 4 bouncy steps towards centre of circle and 4 steps backwards. Repeat |
| A2 |
Ladies Advance and
Retire Men Advance and Retire |
Ladies only in and out,
men clap Men only in and out, ladies clap, men return to a new partner, the lady who was on their left. |
| B1 | Spin New Partner | All Short Arm spin |
| B2 |
Promenade
Reform circle |
Promenade hold, man
slightly behind lady, men's right arm behind lady's back, hands joined at
shoulder height, ladies left in front of man, right hand to right, left to
left Promenade for count of 12 then reform circle. Ladies finishing on man's right, having progressed one place. |
| - | 32 bar tunes AABB | This is the 2nd part of the Circassian Circle |
| 1 |
Blaydon Races |
A large circle alternate man, lady hands joined. |
| A1 |
Circle Advance and
Retire Advance and Retire |
All join hands in a large circle, advance and retire twice. |
| A2 |
Couples Chasse In and
Out
Chasse Again |
Men and the lady on
their right take the old fashioned waltz hold. Take 2 chasse steps in and
out. Chasse in and out again. |
| B1 |
Promenade Men Advance |
Couples promenade in a waist level hold [6 bars /count of 12] and the men advance to the next lady by taking longer steps than the ladies. [2 bars] |
| B2 |
Set to New Partner
Spin New Partner |
Set with new partner. [2
bars] Spin with with new partner [5 bars] Reform circle. [1 bar] |
| - |
32 bar Polkas or Jigs
AABB |
Simple, vigorous dance. The song was written by Geordie Ridley a Tyneside music hall singer in 1862 |
| 2 |
Bonny Breast Knot |
Longways sets of 3 couples. Numbered 1,2,3 |
| A1 |
Weave Ladies' Side Cast Weave Man's Side Cast |
Couple 1 dance between
ladies 2 and 3. Cast Couple 1 dance between men 2 and 3, and finish with lady 1 between couple 2 and man 1 between couple 3. These 2 sideways lines join hands and face each other. |
| A2 |
Mixed Lines Step Kick
Men's and Ladies' Lines Step Kick |
The mixed lines all step
left, kick right foot and then step right and kick left foot. Repeat step
kicking again, on the last step kick couple 1 move to form a men's and a
ladies line . Both the men's and ladies lines do the step kick sequence 3 more times. |
| B1 |
Top Couple Turn Turn Corners |
Top couple turn each
other by the right arm. Left arms with their corners (top lady with man 2 and top man with lady3). |
| B2 |
Right Arm Spin
All Spin |
Top couple right arm
turn back to their own side of the set and then slip down to the bottom of
the set. All spin in a ballroom hold. |
| - | 32 bar Reels AABB | Usually done 3 or 6 times through. |
| 1 |
Brown Jug Polka |
Couples Dance |
| A1 |
Heel and Toe, Heel and
Toe Slide, two, three, four |
Ballroom hold, man on
left, inner hand on partner's waist, outer hands joined at front. Heel and toe with outer foot, man's left, lady's right Slide is a scissor motion, lead with outer foot bring up inner foot |
| A2 |
Heel and Toe, Heel and
Toe Slide, two, three |
Same again in reverse direction, |
| B1 |
Right hand clap Left hand clap Both hands clap On your knees |
Couples facing each
other, Clap partner's right hand with right 3 times Then left to left, then both hands (left with right) Clap your own knees 3 times |
| B2 |
Right Arm Spin Left Arm Spin |
Link right arms at elbow
and turn once Link lefts and turn, resume ballroom hold. For a progressive version half turn with right arm and pick up new partner with left arm,. finish with 1 and 1/2 turns to start again with new partner |
| - | 32 bar Polka AABB | Wide spread dance also called Pat-a-cake Polka. All Polka tunes do NOT suit this dance, you need the Heel and Toe accenting. |