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Favourite authors are Lawrence Block,
Henning Mankell, Laurie King and Nick Hornby. Favourite Australian writers
are Don Watson, Robert Manne, Martin Flanagan, John Harms and Michelle Gratton.
(Oh and Tim Winton too, although I wish he would cheer me up once in a
while.) Here are some of my recent book reviews. I have also had some reviews published in other magazines and websites - like this review of Annie Patterson's "Waterhole of Hope", as well as reviews of John Harms's book about cricket, Dave Andrews's book about Christi-anarchy and Garry Disher's novel about "Moondyne Kate".
Review of Tim Farrington's "The Monk
Downstairs" by (HarperCollins, 2002)
"The Monk Downstairs" is Tim Farrington's blending of
romance novel and spiritual diary. Set in San
Francisco, the 'monk' is Michael Christopher, an angelic
figure who has left the monastery after a protracted
dispute with his Abbot about the relative merits of
faith and works. Rebecca is the graphic artist and
single mother of a six year old daughter who has the
symbolically unifying name of Mary Martha. Michael
moves in to Rebecca's downstairs flat, trying to find
his way in the world he has avoided for two decades.
Love grows like the fragile pumpkin patch which Michael
has planted in the backyard for Mary Martha, and at
times in unexpected and comical ways. Farrington's story
coasts along Rebecca's struggle to resolve work,
motherhood, love and her tumultuous relationships with
her surfing rascal ex-husband, Rory, and her new-age
widowed mother, Phoebe. Are you intrigued yet? The
story also features some beautiful letters from Michael
Christopher to a former fellow monk, Brother James,
describing the ripening of Michael's faith and desire.
"The Monk Downstairs" is a cleverly structured novel
with just enough salt to enhance the sentiment.
Review of Alexei Sayle's "Overtaken" (Sceptre 2003)
"Overtaken" is a morality tale about
materialism and motoring in the north-west of England. Kelvin,
Alexei's first-person narrator, is a 33 year old property developer
who is challenged by the unfamiliar experience of suffering
to reassess the rules of his tightly controlled universe. Thrown
into a quest to avenge his friends' untimely deaths, Kelvin sets
about avoiding any more tragedy with all the might of his money and
influence. He takes his revenge upon addiction and injustice by
letting himself become an accidental philanthropist and theatre
impresario. Alexei adds his traditional fascination with
totalitarianism to a fresh satirical look at alternative circus,
urban development and sexual desire. While this may be familiar to
viewers of Alexei's TV sketches in "The Young Ones" and "Stuff", he
reveals in "Overtaken" a new element of melancholy . Each character
in "Overtaken" is at breaking point as their life, like the society
around them, is unravelled involuntarily and relentlessly. If you
enjoy "Overtaken" you may also enjoy Jonathan Coe's satirical novels
about contemporary English society and the narcissism of the
beautiful and powerful ("The House of Sleep"; "The Rotters' Club";
"What a Carve Up!").
Review of Lawrence
Block's "The Burglar on the Prowl" (Random House Australia, 2004)
Review of Steve J. Spears' "Murder by Manuscript" (Wakefield Press, 2004) Who can make murder, revenge and scandal amusing? Steve J. Spears is a playwright and novelist who has learnt how. "Murder by Manuscript" is an over-the-top scramble through an urban crime scene featuring a string of psychopaths who kill, run the country, or make bad television shows. Spears uses his satirical skills to sketch political and religious intrigue in a fictional Australian city (OK I think it's Adelaide) - as well as the underlying sexual tension between the two heroes, Stella Pentangeli and Investigator Ng. Stella is a private eye who uses her instincts and technology to unravel hidden secrets. Ng is an enigmatic detective who uses his character and fierce integrity to dismantle the lies of wrong-doers. Together they confront a serial-killer and forge a very funny team of crime fighter misfits, including a mad CIA operative called "Sam" and Ng's offsider Sgt. Cross who just needed a smack in the head to join the forces of good. "Murder by Manuscript" is easy-to-read crime theatre. Following on from "Murder at The Fortnight", "Murder by Manuscript" brings together the farce and joy of a game of Cluedo with the menace and bitchiness of Beverley Hills Cop. A real treat.
Review of Nick Earls' "The Thompson Gunner" (Viking, 2004) Meg Riddoch is a young migrant Australian who uncovers the wounded core of her comedic abilities, in Nick Earls's latest novel "The Thompson Gunner". Meg travels the festival circuit in wintry Canada and bright-sky Australia, remembering the disconnected pieces of her life, her partner (Murray), his daughter (Elli) and her own interior 8-year old self. Meg grew up in Northern Ireland on the Ards Peninsula and acclimatised too well to the sectarian and political conflicts that permeated a 'normal' childhood there. Earls draws upon his own travels and observations of the 'canapé class' to set the present-day scene of celebrity homesickness. The portrait of a Northern Irish childhood is also superbly detailed, through his light dramatic touch and empathy for people who feel misunderstood and battle-scarred. There are some hilarious scenes of Meg at the Perth Comedy Festival, including a celebrity canoe race in which the author makes a not-so-subtle winning appearance. This is at the better end of the spectrum of 'Nick Earls novels' - sharp comments, intriguing characters and a narrative that knows where it's going.
R eview of Jim Keeble's “My fat brother” (Penguin Books, 2003)
This is an entertaining novel about a poet, his family, and his search for depth and compassion. Easily compared to other ‘lad lit’ books by Nick Hornby or Nick Earls, Jim Keeble’s story succeeds because, unlike his narrator Scott Barron, it doesn’t try too hard to be liked. Called “Men and other mammals” in the U.S.A., “My fat brother” has plenty of sibling rivalry between Scott and his younger brother Jes as they deal with love, success and the lack of it in their lives. Keeble uses the penguin as a symbol of fraternity and dignity to resolve the insecurities of the major characters. There is also enough slapstick comedy to balance the serious stuff – in keeping with Scott’s attempt to mature without becoming what the Brits would call a ‘humourless git’. “My fat brother” is a bit self-indulgent but has all the ingredients of a funny, serious novel. Plus it is set in North London at Christmas time so, who knows, it may make a good movie one day. Review of Gail Bell's "Shot: A Personal Response to Guns and Trauma" (Picador, 2003) "Shot" is an example of how suffering can be transformed by the power of storytelling into healing. This is a courageous and compassionate memoir in which the author recalls how she was shot in the back, seemingly at random, in Sydney's western suburbs in 1968. It took Gail Bell more than three decades to write this book, during which time she wrote short-stories as well as the award-winning book "The Poison Principle" (Picador, 2001). In "Shot" Gail uses her craft of writing, her passion for research, and her literary instincts to make meaning out of her collision with evil. "Shot" is not, however, an exercise in therapy or social research: but a powerful meditation on coercion, weaponry and the psychology of cruelty. As she describes her personal struggles with trauma, lead-poisoning from the bullet which remained in her body for five years, and the hyper-vigilance of her personality after 1968, Gail Bell's memoir reveals much about the physical significance of memory. While not writing from an explicitly religious or mystical framework, Gail's story addresses the profound questions which many people ask at the breaking-points of their lives - 'why me?' 'why now?' and 'where do I go from here?' Pastoral care teachers, retreat leaders and study groups would do well to include this book in their search for a contemporary theology of healing.
Review of Anne Deveson's
"Resilience" (Allen & Unwin, 2003)
Review of Clifford Longley's
"Chosen People: the big idea that shapes England and America"
(Hodder and Stoughton, 2002). Review of Chris McGillion's "The Chosen Ones: The Politics of Salvation in the Anglican Church" (Allen & Unwin, 2005)
This book is one of those
commentaries about society which, through its coherent narrative
and research, creates drama out of non-fiction. Chris McGillion
is the religious affairs commentator for the Sydney Morning
Herald and a senior lecturer in print journalism at Charles
Sturt University. He writes a balanced and empathetic account
of the rise to power of committed evangelicals within (and
through) the Anglican Diocese of Sydney between 1993 and 2001.
In so doing, McGillion describes the tensions within the wider
Anglican Church about church-growth, lay presidency, women's
ordination, relations with the Catholic Church, and the biblical
interpretations of sexual ethics. I appreciated the way in
which the author unpacks the baggage of church history and
theology so that a wider audience can understand the
significance of recent conflicts such as, for example, the
public reaction to Archbishop Peter Carnley's article in The
Bulletin (25 April 2000), about the resurrection of
Christ. "The Chosen Ones" will appeal to a variety of
audiences, but especially to people who have attended church
meetings and genuinely wondered 'what has all this debating and
voting got to do with salvation?' McGillion has identified the
power-plays between today's believers that exude the underlying
conflicts of the Gospels. Setting it in Sydney, a city
of harsh political and religious realities, was a stroke of
genius.
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